Dec. 27 2011

The great irony and tragedy of “intro econ” is that it is at its introductory level that economic theory is both most broadly consumed and most malignantly simplistic. In a recent study, economists at the University of Washington found there to be an “indoctrination effect” for non-majors who take an economics course: on average, they behave more selfishly and hold less regard for others after taking such a course.

Generations of the world’s business people and public policy makers have been nursed on such courses. To gain some insight into why our economies and institutions are crumbling beneath us, then, imagine an engineer equipped with a rudimentary understanding of physics that omits gravity, and a certain above-average disregard for human life not his own. Now imagine him building all the major bridges in the world.

The Trouble with Principles: Or, How to Not Lose Friends and Alienate People When Learning Economics (#OccupyWallStreet, #OWS)

Perhaps the most interesting bit, 

To casually label economics a science is at best aspirational, at worst manipulative, at a minimum misleading. At the introductory level, the issue at stake is less one of methodology than of how deferential the layperson or novice should be to the authority of expert or policy entrepreneur appeal to economic theory. Skepticism is always a virtue. When evaluating claims based on simple economic models, it’s self-defense.

I feel like this should be read alongside What We Learn When We Learn Econ by Christopher Hayes. It basically discusses his experience in an intro to econ course at the University of Chicago. To save you some time, it was not an overwhelmingly positive experience.

Meanwhile at Berkeley, the into to econ course is being taught by Brad DeLong during the spring. 

(via thenoobyorker)

“Skepticism is always a virtue.”

Dec. 15 2011

vicemag:

Who do you think is the culprit behind the lack of creativity?

In part, teachers are to blame. In school, there is the sense that one must complete a succinctly explainable “project” that explores a subject with rational boundaries, art-historical context, and theoretical backing—if we’re talking about graduate school. These projects are intended to be original, but not so original that they cannot be validated by the similar creations of previously successful artists. 

So, what’s missing?
Simply put, art school should be more fun for all involved. I want the spirit to be less one of attempting to please authority figures, and more one of trying to surprise oneself. I like the rebellious students. I find the combination of rebelliousness and hard work seems to make for the best artists (and students).

The flip side of exposure to a system designed to rationalize and quantify creative success is that it reminds me that the rational intellect pushes my unconscious to be more interesting, but the unconscious should still drive my work.

Continue: Gregory Halpern’s Stories From The Rust Belt

related:  “Learners are doers, not recipients.”—Walter J. Ong, “McLuhan as Teacher: The Future Is a Thing of the Past”

Nov. 22 2010

Sep. 23 2010

Nov. 08 2009

pieto:

OURS is the first age in which many thousands of the best-trained individual minds have made it a full-time business to get inside the collective public mind. To get inside in order to manipulate, exploit, control is the object now. And to generate heat not light is the intention. To keep everybody in the helpless state engendered by prolonged mental rutting is the effect of many ads and much entertainment alike.

Since so many minds are engaged in bringing about this condition of public helplessness, and since these programs of commercial education are so much more expensive and influential than the relatively puny offerings sponsored by schools and colleges, it seemed fitting to devise a method for reversing the process. Why not use the new commercial education as a means to enlightening its intended prey? Why not assist the public to observe consciously the drama which is intended to operate upon it unconsciously?

from The Mechanical Bride: Folklore of Industrial Man - Marshall McLuhan (1951)

C.R.E.A.M.

Jan. 29 2009

Nov. 02 2008

Traditional education focuses on teaching, not learning. It incorrectly assumes that for every ounce of teaching there is an ounce of learning by those who are taught. However, most of what we learn before, during, and after attending schools is learned without its being taught to us.